It is also a beautiful format for portraiture. We had extreme wides in our set, but also a lot of key moments play in close-up. The older C series lenses bring in a bit of personality.
Sometimes people want a bit of distance and a gauze between you and the set and the actor. It somehow brings in a little bit of the essence and magic of cinema. Shooting with film as our medium lent the movie texture in color, contrast and grain. I love how film depicts the profundity of the darkness and the detail in highlights especially in flames which were crucial elements in our story.
Shooting on film demands a discipline which I have witnessed disappearing on some of the digital productions I have shot. With film there is a respect for the actual take… it almost makes the set a more holy place! Bruno Delbonnel: I was trying to keep things as simple as possible since it was the first time Joel and Ethan Coen were using a digital camera.
Light and framing are more important than the new toys. For this project, the closest to this set on digital was the Alexa studio and its optical finder and a set of master primes because of the extra stop I would need on remote locations with a very limited access to big generators. Six different very remote landscapes were shot during a very bad summer weather-wise. I guess the Alexa and its wide latitude helped me to get the contrast I needed when going from a sunny morning to an overcast afternoon.
Ruben Impens: We wanted the film in a aspect ratio and a look that feels not too modern, the movie takes place in When analyzing the test footage we very quickly feel in love with the hawk look. I had never used this 1. We had a lot of sunny exterior locations and the anamorphic bokeh felt just right.
The Alexa 65 was interesting but too clean and the lens choices rather limited, plus because we only had a couple of weeks left in prep I was uncomfortable going down that path. I needed more time. About the camera movements. The pace of the movie is rather slow and so is the camera, it creeps on you. All the digital film cameras presented here record in RAW format.
So aperture and exposure can be changed afterwards without having to film again. Japanese electronics giant Canon is also a player on the film camera market. These film cameras are also completely digital and capable of top performance.
The C FF features 5. Seldom do viewers think that their favourite films would not even be possible if there were no analogue or digital film cameras to capture excellent stories by award-winning actors. But sometimes not even film cameras are necessary.
Some movies were actually shot with an iPhone. Have you ever held such a camera in your hands? Tell us in the comments about your experiences! This post is also available in: Deutsch. JavaScript is disabled. Du befindest dich gerade auf der englischen tvfindr Seite. You are currently on the German tvfindr page. Generic filters Hidden label. Hidden label. TVs Samsung TVs.
LG TVs. Sony TVs. Best TVs. TV comparisons Compare by yourself New. Which film cameras are used in Hollywood? Drama movies seem to have a relatively lower digital adoption rate. Denzel Washington and Theodore Melfi are among the ones to choose film for this specific reason. Digital cameras offer dramatic budget cuts for movie making, so it might be compelling for movies with lower budgets.
Conversely, this would limit the use of film to elite filmmakers with big budgets. Film and digital differ not only on the underlying technology in the camera, but also in the production process. Using both technologies means having two different workflows and a subsequent increased cost of production.
Beside big budget movies such as Star Wars: Force Awakens and Dunkirk , lower budget movies such as Gifted and The Beguiled still manage to shoot on film in the last three years. You can explore the complete list below. Digital camera adoption is not following a linear path. Despite the growing dominance of digital cameras in the last decade, we see some directors switching back to film in their latest movies.
There will still be use cases for both technologies, depending on how the filmmakers envision the story that they want to tell. Both technologies can coexist to serve the visions of the filmmakers. This exploration only includes non-animated fiction movies in the top movies at the US Box Office every year between and , collected from The Numbers. Genres, directors, camera, and negative format from which shooting medium is later defined were collected from IMDb, using their bulk data and processed using IMDbpy.
You can find the compiled data here. Only movies with known shooting medium were counted in the calculation of the percentage breakdown. Film or Digital? Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition. Yossy is the founder of Y.
Cinema Magazine. Those lenses […]. Quentin Tarantino continues to have a strong preference for the look of the film, and Christopher Nolan shot Dunkirk primarily […]. Have you heard about micro lenses probes in filmmaking? Macro glass is well known and heavily…. The While everyone is talking including us about the new James Bond that was shot entirely on…. Once Upon a Time in Hollywood-Cinema tools. Related articles. You might be interested in.
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